Do you ever dream about your characters? I expect some writers do, devising entire plot lines and waking to scribble it all down on that notepad that you are supposed to keep at hand for when inspiration strikes. Everyone has different dreams and ways of remembering them – or not!
There are the dreams so vivid that you are scared to return to sleep. Other people claim not to dream at all. Then there are those dreams that you half remember, leaving just a frustrating impression. I had one of the latter recently. I woke, knowing that my dream had been full of incident, but it disappeared before I could catch it in the net of my memory. All that remained was a snapshot. A big man swinging a sword. It was dark and he was surrounded by trees. It must have been Byrhtnoth and this is the only time I have dreamed about him – that I remember.
I could use that scene, embroider details onto it, decide who he is fighting, and why. But it would no longer be the original dream that I experienced. It is very annoying, but why did I have that dream? Was it because I had not done any writing for several weeks? Was my character, or just my subconscious (which is the same thing really) telling me to get on with it.
Not wanting to end up with nightmares, I obeyed. I retreated to the writing computer and wrote just over 1,000 words – then the rugby came on. At least it’s a start and I’ll try to keep it up.
I had warmed up with a bit of editing, because those weeks of not-writing had not been wasted. I had been thinking. A weekend away in the Lake District was not just a time for walking and drinking. I had decided to send my character to this same place, and was looking at the view with his eyes, hearing the sounds with his ears, feeling the suck of mud on my boots. How far would he travel in a day? Where would he stop for the night? The only problem with this, is that I was there in February – he will be travelling in May. I can cope with that, I hope.
The other thinking that occupied me was about the structure of my books. I sat down and wrote a synopsis of book two. I then did the same for book three – a bit more difficult as it is only part written. I then wrote a synopsis – well more of a set of notes – for the unwritten book four. From the look of it, that will be the end. Of course anything can happen if the characters don’t agree!
Then it got really speculative, what next? How about a prequel? A children’s book? Tell the story of other characters? Send Byrhtnoth into outer space – perhaps not that one. A different period? Modern day? A thriller? Then I calmed down, just get on with writing the next book.
Once I had got the synopses down, I started to apply the Three Act Structure to them. It was an interesting exercise. I found that half of one book was about a completely different character – is that allowed? It was difficult to fit the structure onto the unwritten book four – how do I know how much I’ll write for different scenes? I have not become organised enough to say that chapter x will contain such and such scene. Thank goodness, I’m still a pantster at heart!
Feel free to return to this post in a few months/years time and have a good laugh at my dreams.