What is Historical Detective Fiction and why would I want to write it?
A good question and difficult to answer.
The short answer is that I was coming to the end of The Byrhtnoth Chronicles (at least for the time being) but wanted to continue to inhabit the same “Universe”. Byrhtnoth deserved a rest, so why not take one of the other characters and tell their story?
The character was obvious, but what story did they have to tell? Among the many historical fiction books that I have read, I have especially enjoyed series with a detective character, solving a crime, usually a murder. The first I read must have been Ellis Peter’s Brother Cadfael, the first “A Morbid Taste for Bones.” was published in 1977. I must have read most of the series before it was televised, which I felt was a disaster – the casting of Derek Jacobi was completely wrong.
After that I looked for other series, covering many different periods.
From the Roman era there is Lindsey Davis’ Falco.
Susanna Gregory writes about Brother Bartholomew, a 14th Century monk and also Thomas Chaloner a Civil War spy trying to survive after the Restoration.
Then, of course, there is Matthew Shardlake, a lawyer towards the end of the reign of Henry VIII written by C. J. Sansom.
In the Victorian period there is Anne Perry with both William Monk (1850-60s) and Thomas Pitt (1880-1890s) and bringing us into the (early) 20th century, Amelia Peabody, an Egyptian archaeologist, written by Elizabeth Peters.
Then there are the one-offs: Josephine Tey’s The Daughter of Time, although in that case the detective is modern, only the crime is historical; and Umberto Eco’s The Name of the Rose. This is on television at the moment and the plot is made more impenetrable by the bad sound quality.
I could go on, there are many more. Find your favourites here.
I notice there is nothing set in the 10th Century. Sister Fidelma by Peter Tremayne detects in 7th Century Ireland then there is nothing until after the Norman conquest.
Can I fill that gap? That is where NaNoWriMo comes in. I posted about how I was doing at the halfway point. Now it has finished, and I am pleased to say that I reached 50,341 words on 27th November – three days early!
Is it a Historical Detective Novel? Well, it has a murder and several suspects, It has a detective and several red herrings. I have not managed to get to the traditional “gather everyone in the library and reveal the murderer” moment, but I know who “did it”. Whether it is any good will take a lot more work – I haven’t even read it through yet.
I found it easy to write, but I encountered several problems.
In particular, names. I have mentioned this subject before here. Anglo-Saxon names can be difficult – they all had the same , or similar, and most of them are unfamiliar to the general reader. There were no surnames. I think I have managed OK in my previous books, with a small group of people continuing through 3/4 books with only the occasional new addition. Detective fiction is a whole different ball game.
I knew before I started that there would be a problem. I needed a victim and suspects, so I had already found names for them. Where? What is the biggest collection of Anglo-Saxon names ever collected? The Doomsday Book! There are a lot of Norman names as well, but most places had an A-S owner in the time of King Edward.
I went about it logically. I had already found a location for my crime, so I looked it up in Doomsday, together with a few of the surrounding villages, and produced a list so that I could pick a name when I needed it. I know that the names in 1066 are not the same people who were living there over a hundred years before, but I assumed that if there were any regional variations in name usage, they would be reasonably genuine.
And I did need a lot of names! Think about a detective story. There are not just the obvious suspects; there are other witnesses. There is the local policeman, who has arrested an innocent man. There is the character with local knowledge to befriend the detective, plus his wife. There is the young boy/servant who can mix with the lower classes, run errands and take messages. This is all apart from working out what the local Anglo-Saxon equivalent is. As I said, there is a lot of work to do!
Then there is also the problem with how to address people. I was used to using either proper name or “my lord”. Just how did an Anglo-Saxon address a suspect without a Mr This or Mrs That. Did they use Sir and Madam? It doesn’t sound right.
Another difficulty I encountered was how to deal with those little phrases that crop up in an interview/ conversation. “Tell me more” “What did you do next” “Where were you that day” “Did you batter XXXX to death with a candlestick?”. So much easier to have a fight and chop someone’s head off.
Perhaps I’m not cut out to be a detective novelist. I’m sure everyone will be able to work out the guilty party long before the end. At least I have had a go, and that is what NaNoWriMo is all about. I will finish the story, leave it alone for a bit, then give it a read. Perhaps I will be pleasantly surprised. If not, at least I have learned a lot about historical detective fiction.
Meanwhile I must get back to Byrhtnoth and solve his problems. Perhaps he will have to carry on with his adventures after all.